finale sessions is proud to bring another fine release from none other then nick lapian from soul people music fame and amoung other fine labels worldwide . we at finale sessions welcome nick to our family and our system here at finale sessions with his fatastic tracks that s sure to please your ears and we start with the first track and it called -lost days- it has such movement to it with its rolling pads and its systemmatic keywork and deeep basslines is a must haqve for the record bag for sure . then we have -pigment which is a mid tempo dream come true with it acidy pad synthed structure and lush keys and wicked drum work it is 1st hour monster for sure . then last but not least we have -motif- which is peek time killer with its nice key work and its nice pads layering into a nice kick perfect for a b side jam and that what we have for finale sessions 023 we hope you enjoy the next generation from the forward thinking vault.....we want to thank you for the ongoing support .....love finale sessions god bless you

in this system the time has made us slaves frantic wandering in search of vital purpose. our only way out is to bend time to our will. link and sync the machines to our time.

the dekmantel label will cap off 2014 with a record from a new face to the amsterdam-based crew: stateside producer matrixxman.

under the banner of silk rhodes, collins and desree challenge preconceived notions of what soul music is, can, and should be. steeped in the human experience, silk rhodes debut is a collection of songs that exemplifies their free spirited vision for future soul music.a touchstone for exploring inner visions. the vinyl lp includes a code for free download of the full album.

dance floor killer! unusually, insane and unmistakable sounds who kill the boring, dull system. are you daengo daengo

mental torments records has been found by dutch labelowner & artist mike drama, who is a well known character nowadays in the (hard)techno scene! bringing you the best (hard) techno that will put holes in your speaker similar to the impact of a 500 ton meteorite! and guarantee dancefloors shaking beats like earthquakes that mother nature even cant handle!so, for all those who cannot sleep at night.., who can only survive by injecting dangerous drums into their system on a weekly basis - mental torments will be your saviour!

reissue von vier brian eno soloalben aus der phase zwischen 1992-1997. deluxe-doppel-cds jeweils mit originalalbum und exklusivem, bislang unveröffentlichtem material (cd2), jeweils im mediabook samt 16-seitigem booklet. neu geschnitten auf doppel-lp (nur originalalbum), mit zusätzlichem downloadcode für das unveröffentlichte bonusmaterial.

brad peterson delivers the 25th release from glasgows 7th sign recordings. the imprint is back with a bang as scotland-based american producer brad peterson (also of moods and grooves) serves up deep and spiritual sounds with shades of larry heard interwoven with the unique, abstract, thoughtful, groovy sound that is all his own. a powerful remix by house music hero neville watson (clone jack for daze, creme org, rush hour, poker flat, permanent vacation) completes this fine addition to the remarkable 7th sign catalogue.

limited nice price action
check your system for the first release. still have request on it? normal, the first one has been licensed and played by pete tong, laidback luke, joachim garraud, steve angello, and many more. this one will have the same destiny. mixed by cutee b. grab your copy.

*eat my pussy* is the delightfully nasty debut solo release from latvian artist anet k., coming out on pomelo november 24th. the title track, featuring anets vocals and production, functions as both a demand and endearing request, fusing her encyclopaedic knowledge of electro with a cunning lyrical twist. with such a explicit title, it should come as no surprise that the inspiration for *eat my pussy* comes from firsthand experience. anet k. is no stranger to the scene – as a long-term resident of berlin she has contributed vocals to several recent releases, including barkers *like an animal* on leisure system. for the remixes, dj stingray presents the vocals as an even more aggressive command, while the legendary egyptian lover raps some addictive verses and completely revamps the arrangement, presenting his personal ode to cunnilingus in an earworm chorus. on the dance floor or between the sheets: you wont forget *eat my pussy* anytime ...

special beefed-up package for all you beef lovers out there! containing 2 classic 12 inches and an album cd of this great label:
- beefep011: various - remixes from the vault vol. 1
- beefep012: shades of gray - unlock the rhythm (album sampler)
- beefcd007: shades of gray - unlock the rhythm cd

from the sun kissed shores of brazil and the wonderful starlit nights of the mareh festival comes a new label, mareh music. mareh festival was started by a small group of friends whos only aim was to escape the big city, take an amazing sound system to a remote and beautiful part of the country, and then party together with friends and great music. it has grown since into a week long annual event featuring international djs playing alongside talented residents, and still has the same commitment to real quality and fun. mareh music is born from the soundtrack to those parties, and is launched to mark the festivals tenth birthday. so you can expect to hear beach bar boogie, disco-tinged dance floor movers and deep electronic groovers.

these tracks are simple experiments using the tr808 triggers with the dot com modular, sh101, oberheim xpander, roland system 100/101, jupiter 6 europa, pro one and other vintage synths. all tracks recorded at real time. this ep include two versions of the main track titans cycle composed by heinrich mueller aka gerald donald, arpanet, dopplereffekt.

these tracks are simple experiments using the tr808 triggers with the dot com modular, sh101, oberheim xpander, roland system 100/101, jupiter 6 europa, pro one and other vintage synths. all tracks recorded at real time. this ep include two versions of the main track titans cycle composed by heinrich mueller aka gerald donald, arpanet, dopplereffekt.

flyance records introduce two news producers on board.on the a side, two tracks from the young and talented georgian producer hvl. he gives us some kind of cinematic energy on his deep and acid tracks. on the b side, flyance presents the atmosphere of the mysterious and amazing producers monotix. they drop two dubby and mental tracks. ka one & st-sene presents an experiemental and ambient interlude on a3.

groove covermount track! pan is excited to announce the release of objekts debut album, flatland. written between 2012 and 2014, flatland follows up a succession of dynamic single releases from his base in berlin, including the recent split 12inch with dopplereffekt on leisure system, cactus b/w porcupine on hessle audio and three 12inch singles on his eponymous white label series

uk imprint belonging to the stay up forever collective of labels, upon which remixes of tunes were released that were previously available, some of which are from its sister imprint stay up forever. this time wipeouts, a.p., geezer and bosh & josh inc on the remix for the chris liberator & sterling moss anthem im bored.

defaultbox strikes again. the black cube ep by patrick brøsin is armed with four substantial techno tracks including one remix. this time we could inspire tresor resident krenzlin and diego hostettler the head of belief system records. the collaboration between them is probably unknown for most of the people, but releases on nachtstrom schallplatten or affin ltd by krenzlin as well as on kanzleramt or u-turn by diego hostettler speak for themselves.

three emotionally driven club tracks straight from the heart of untzz regulars, mic mills, furious frank & bessie. channeling a once prominent adelaide/detroit connection in various forms, mfb present a record fusing golden era techno and electro updated for the modern sound system. freddie norwood lends his trademark burliness to the final cut of one eight four, an epic journey weaving euphoric arpeggios and big bollocks into one tidy parcel. unlike previous releases from the label, one eight four sees untzz twelve inch really find its stride and has struck gold with this record that showcases a glowing adelaide culture. all tracks were recorded and mixed at one eight four, an institution of hedonist lifestyle in adelaide.

complex adaptive systems are able to adapte and change themselves based on experience. that is dynamic systems with self-organization which gave rise to global behavior called emerging, that cannot be explained by a single physics law. adaptation is reached through the costant redefinition of the connection between system and its environment.

6-page feature in the wire july 2014, featured on the hyperdub 10.3 compilation following up from the success of his emphatic pan releases dutch tvashar plumes and diversions 1994-1996 in 2012 (2 in facts albums of the year) pan is excited to announce koch (pronounced cotch), the new album from brummie/londoner lee gamble.

what does a rave sound like the next day? the strobe lights in a dark warehouse, the pounding kick, the blur of ecstatic faces lead to a morning-after emptiness, all fade into memories of the friends you once had. on ode, tin man (proper name johannes auvinen) explores this feeling, offering tracks which possess an exhausted joy, the aural equivalent of the stretch of time beginning when the last record is played and stretching on towards the doleful contemplation of last night’s unmade sheets. appropriately, tin man’s melancholic dance music is more club-ready than ever.
the double 12 inch lp comes in gatefold sleeve with download code included.

this is lbnhrxs fourth release, and his second on thin consolation, following his debut ep tales from the moustache released in 2012. progressively shifting towards a purely hardware approach to composing and performing, and still as recluse and vowelaphobic, lbnhrxs sound has matured and acquired that pungent cheesy odour that we all crave so much. ntrprttn is the fruit of his reflection on the topic of interpretation, and is graced with complementary remixes by cupp cave and lawrence le doux

warning, this release is quite different from older cn, a lot more suited for home listening on a good system.

incl rmxs from dynamik bass system & egyptian lover

with this first release the labelheads mm:ms present the musical direction of the newborn techno label writtentozero and give you an imagination of the things to come. solenoid (graphene, belief system) delivers a remix on top.

belgium based invade records invites a guest artist for the first time. the fourth release will be from german producer danilo schneider (enough! music) supported by einzelkind (la pena) with a remix and a club tool!

weightausands music is born out of the crash between expectations and daily praxis. a dub-infused, non linear array of data in which memories, obsessions, in the shape of sound pieces borrowed from friends and collected from the most various sound sources (even cannibalizing dance music power cliches such as the amen break), are arranged to enter a psychic cage system set to take advantage of their raging power. the resulting tracks sound like jungle rave hits echoing from outside time. side b contains a doomy aquarian remix of by morkeblå, and a remix by concrete cave inhabitant heith of an unreleased track, produced with no previous listening of the original.

purveyors of fine underground music, joes bakery, present undiscovered balearic beats, cosmic curveballs and obscure oddities from around the world. the first two releases feature edits by a mysterious collective of music enthusiasts and record diggers by the name of diavol. music to be played by the pool or under the discoball.
played by: balearic gabba sound system, joes bakery, matt long (fina records/mono_cult), guillaume des bois (macadam mambo), curt j, faze action, coyote is it balearic?, sacha mambo (macadam mambo)

grand ancestors debut white label release featuring heavy sound system reggae from cuttle and alpha steppa.

editorial delivers once again a value packed 4 track vinyl release- enlisting some top talents. joshua heath bring his bass guitar to australia to join forces with the ever prolific deep house dons random soul. together, they freak out a boogie influenced funk original in *girls, girls, girls* perfect for a late night house party to get the hands in the air. frances cosmic players create a winner with *get it right* soaring synths lead the way , and they also prove there is still a right way to use a vocoder. flip the transparent vinyl over for a lush mid tempo burner from uks matt hughes. dialing the tempo back , but not leaving any emotion on the table ... finally, bg baarregaard hits the nail on the head with a juxtaposition of classic house sound and a distinct new school ethic.

qy live in the western part of leipzig which is dominated by industrial architecture from the past. some of the tracks created here were released on the blank slate (2013) and ortloff (2013, 2014). shortly, an e. p. will expand their catalog, released on the u.s. label roundabout sounds. in addition to new productions qy are currently working on a system based solely on hardware live set.

guillotine is an electronic music duo from sao paulo, brazil. saulo pais (dada attack) and zeno mainardi. to create these tracks, they used a heavy setup of analog electronic equipment. this resulted in three raw eclectic techno tracks with a sharp edge. equipment: korg ms-20, roland tr-808, simmons clap trap, serge modular system, linndrum lm-2, roland cr-8000, roland tr-707, star instruments inc synare 2, lell usd, moog voyager, moog opus-3

the last few years has seen a series of well received releases from rhythmic theory, the anonymous techno producer lurking in the shadows of the bristol music scene. *endless forms* is their second release for idle hands and follows on from where the previous ep *legacy of the lost* left off. the title track delves deeper into the sonic realms of classic jungle and comes up for air sounding like dub techno. a weighty bass line propels things along, whilst a sci-fi voice intones the title. this one is a sound system rocker. *tales of dystopia* brings to mind early nineties uk techno with its haunting synths, swung beats and deadly bass line. rhythmic theory is killing it at the moment, expect more to come.

david georgos and bendikt frey reprise their roles in exponential real time music making. causing a melting pot of dilemmas to somehow unfurl into a rather stupendous and thought provoking system of ideas and trance inducing meditative practices.

the album astral traveling by innerspace halflife is among us with 9 tunes straight from the universal psyche, yet articulated with the tools of human perception through waveforms. deeper and deeper the tunes take a listener on a journey of spacey pads, longing melodies, electronic bass notes, and jacking drum programming. in terms of human understanding, the universe is infinite which makes any scenario one can think of possible. with this in mind, astral traveling was composed and explores the deepness of creativity as innerspace halflife reaches down to pull out sounds using various techniques. the story begins with teardrop from nebula 1122+22. straight from a far away point in space which can serve as the beginning or end of a journey.

recorded at johns last night at the vagabond nightclub in downtown miami during this years miami music week, live in miami features 37 tracks and nearly 4 hours of the very best underground electronic music, spanning across more than two decades.

• massive new title from papers versus clouds !!
• another fine bundle of established artists go head to head...
the 5th brothers installment sees papers and clouds on the collab and 4 new members to the brothers family. the a side is a broken techno track with filtered drums, laced with an acid hook that will keep people fixed to the dancefloor. b1, a 138bpm straight distorted driver with heavy euphoric strings and harsh syncopated percussion, finally b2 slows things down a little to 122bpm, taking parts of b1 and flipping it on its head with harsh grooving hats and a ripping synth...

re issue from derrick carter’s blue cucaracha label. containing 4 tracks from 1994 - 2 from last session (aka chez damier & ron trent) plus two from the innocent (derrick carter). re mastered from original dat’s from dc’s private stash. expect more blue cucaracha’s down the line.

fourth and final chapter in wphs tribute to belgian new beat. this time four belgians and one german deliver their take on new beat..

ambareesh invites you into a paradoxical fusion of murky sound that pushes boundaries beyond banality. the juxtaposed *emotionless sensitivity* penetrates the senses creating a canal for deep sensitivity that runs contrary to indifference. between the rugged, jagged appearance lay the intricate essence of hidden quality as tracks reveal provoking denotation. *illusion* reveals the deep trudging that cuts through the whipping vibe. *bipolar nervous system* brings a sense of suffocation as the tormenting tandem of fragmented sound haunts the solar plexus. *walking through sand dunes* is a carefully constructed piece, stimulating successive pulsation as frightful ambience permeates. virile, cagey crawling sensations infuse as ambareesh concludes with *dehydrated*, a hollow, sterile piece of synthetic techno. this second ep by ambareesh on amba amba records is truly a careful union of tumultuous sound, provoking rowdy sensation that stimulates visceral response.

the windtalkers ep comes to vitalik courtesy of the acclaimed collaboration of jef k and chris carrier. individually these two stalwarts of the french house scene are known as master-craftsmen of rhythm, renowned for their tight grooves and deft beat construction. together they compliment each others sensibilities beautifully, as seen on tracks like? in my system? which they collaborated with chicago legend chez damier to form the gathering and now again on the forthcoming windtalkers ep.

s3a at his best, definitely the best ep produced by the man, must have!

here comes the first installment from pogs upcoming album meanstream. remixes comes from tanner ross, one of our favorite member of the wolf+lamb & soul clap crews + night slugs head honcho (and ghetto house producer as dance system) l-vis 1990.

igor vicente is a name that many may not have heard of yet, but this it is not from lack of presence in the scene. from his legendary wild family parties in belgium, to his recent state of flow residency at world-renowned fuse club, and his collaboration as ultrasone, this quick rising star is becoming a tour de force within the spectrum of house and techno

the new dream team collaboration of survival and script stride into the horizons music camp with a smattering of low end driven drum & bass.
dj support: hype, doc scott, system, nymfo, naibu, ant tc1, randall, subfocus, mind vortex and many more.

mad limitado. you know the drama. spreading these out across the board as per. this limited remix 10 inch showcases a remix of break glass from l vis 1990s dance system moniker alongside a vip mix of reflection from sims. the former, featured on sims fabric comp, continues to nurture his raw, machine driven and retro leaning vibes while the theory boss turns in a dense, jacking number.

touchin bass takes a different turn this time by introducing you to newcomers mkfn, a live production project formed in 2012 by babar raza (us), ovais hassan (uk) and fahad ahmad (canada). over the course of the year they have designed a system that allows them to create music across borders that has been defined as experimental, dark and gritty. the collective integrates each members extensive musical background gained from working across multiple genres. this unique combination invites distinctive sounds into the studio forming the foundation for mkfns characteristic sound.